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From:
Matt Haines
To:
Date:
Tue, 26 Mar 1996 19:31:12 -0800
Subject:
Re: (idm) vocoders
Msg-Id:
<v01530500ad7e48dc2c9b@[205.153.188.104]>
Mbox:
idm.9603.gz
quoted 10 lines Does someone know anything about "mouth tubes", the thing Roger Troutman>> Does someone know anything about "mouth tubes", the thing Roger Troutman >> of Zapp uses? > >Let me get back to everyone on that. I've been contacting old friends to >see what Roger uses(and still uses, a la 2Pac's "California" >track...)Rogers' the guy that got me into the whole vocoder thing in the >first place. > >Derek >
Actually, a vocoder isn't the same thing as a 'talk box', which is the tube thing. A talk box is basically a speaker with a tube stuck on the end. The sound of your synth (Zapp) or guitar (Frampton) goes down the tube, which is stuck in your mouth. You move your mouth around, which imparts voice-like filtering on the instrument's sound. You then stick a microphone in front of your face, and record the result. You're substituting an external sound generator for your vocal chords, but using your mouth to shape the tone as if it were you speaking. Advantages: 'spoken' phrases are much more precise than a vocoder. Disadvantages: you've got a tube stuck in your mouth. Plus playing notes accidentally while your mouth is closed can still be picked up by the mic. And if you want to actually sing or speak the words, you better be in tune because the mic will pick it up. A vocoder is an electronic device. It analyzes the frequency spectrum of a control signal, like your voice. Like what a frequency analyzer does on a home stereo, to get all those bouncing frequency meters. It then takes that data, and filters the source sound (like a synth) to match. Like what a graphic equalizer does. As the spectrum analyzer settings move, so does the equalizer's knobs (that's a metaphorical example....it doesn't actually have knobs that move). Like the talk box, it impresses the frequency characteristics of the control signal on a source signal, but the vocoder is electronic and doesn't need a mouth or voice as a control signal. Advantages: if you don't send any control signal, nothing comes out of the thing (so you can play without speaking into the mic, and nothing comes out accidentally). You can use many different sources to modulate sounds. You don't have an unsightly tube sticking out of your mouth. Disadvantages: Sounds mushy and less precise than a talk box (in general). . . . . . . . . . Matt Haines haines@quick.net control-X:to:abort:transmission.